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Oboe
by SFC James Mullins

The oboe is a wonderfully rewarding instrument to make music with.   However, you should know that as a beginning oboist you may have a more difficult experience than your fellow woodwind students.  The oboe has very specific demands for performance, which are often more taxing than issues faced by performers of other woodwinds.

The first remarkable difference is the ratio of oboe players to clarinetists or flutists.  In most middle school environments, flutes and clarinets heavily outnumber the oboe section.  This imbalance usually continues into high school and throughout college.  Why are these numbers a factor?  As a consequence of larger numbers throughout school, there are far more middle and high school music directors who began their careers as flutists or saxophonists.  The oboe has traditionally been a very difficult instrument to become proficient on as a double.  For this reason, it is imperative that a beginning oboist seek out advice from an oboe specialist.  The oboe poses special challenges which are unique in the woodwind world.  In all too many instances, your school may be ill-equipped to support your desire to learn the oboe.

A beginning oboist should seek the guidance of an advanced collegiate or professional oboe player.  The concepts involved in embouchure and sound production through the tiny opening of the oboe reed pose special challenges which are unique to the instrument.  It is very different to compare the oboe embouchure to that of other woodwinds.  If you are lucky, you will find a local military band, orchestra, or college that can provide you with a teacher.  This professional will be able to offer suggestions on the important concepts of sound, embouchure, and can also guide you with instrument purchasing decisions.

If your school is not able to provide a good, well-maintained instrument, use this opportunity to consider buying your own oboe.  Be sure to get expert advice on any instruments you pursue for purchase.  As a consumer, you would be reluctant buy a car which you had never driven, or about which you had no specific knowledge.  Along the same lines, it would be detrimental to buy an oboe before you have a professional oboist look it over for you.  This is especially important if a beginner will be playing ht e instrument.  Many of the typical problems experienced by beginning oboists are the result of faulty or misadjusted instruments or reeds.

Notes on purchasing an oboe:

You may want to avoid instruments labeled as “student” models.  Many beginners are ready to improve their sound and technique with an intermediate model after a very short time.  Try to purchase a higher-quality instrument from the onset (even if as a beginner you chose not to continue playing), because it will be easier to recuperate your investment from a better quality instrument if you decide to sell it.

Look for a full conservatory system oboe.  This will make learning much easier!  Student models often differ from intermediate models in the number of keys.  Beginning students can learn fingerings that will have to change for higher model oboes.  Therefore, avoid this trouble by starting with the middle-level, full conservatory instrument.  

Make sure that any instrument you purchase is properly adjusted.  The oboe has many adjustment screws, which may even move during shipment!  If an oboe is out of adjustment, it is impossible to properly evaluate its performance potential.  

Finally, if you have access to an advanced collegiate oboist or professional, make an appointment to have him play and rate the instrument you are considering purchasing.

Finding good reeds can be as distressing as finding a good teacher in some cities.  There is a scarcity of good oboe reeds available through retail outlets compared to the quantity of single reeds for clarinet or saxophone.  If you are relegated to buying reeds at you local music store, avoid reeds with wire.  Wires are for bassoon reeds. Fiber cane reeds can be good for very young students, but even young beginners should be taught responsible reed handling and switch to cane reeds as soon as adequate progress has been made.  Reeds marked “student quality” are often much more difficult to play than the more expensive reeds marked for advanced players.  The best solution is to find an advanced/professional oboist who will be able to fashion and adjust reeds to your specific needs.  Reeds are the basis of every oboist’s sound.  Take great care when selecting the correct reeds for yourself or your beginner.

There are several performance-related issues that should be covered during a personal coaching with a local oboe specialist.  The concept of a proper oboe sound varies greatly between foreign countries and regions within the United States .  Posture, breath support, articulation and pedagogical issues should be developed in consultation with a good teacher.  Every student is unique, and proper technique is best custom tailored for each student’s needs.

Are you looking for a good teacher?  The U.S. Army is one of the largest employers of professional musicians in the country.  You may be able to find a band in your area through Army Bands Online (www.bands.army.mil).  There are several national musicians’ organizations that may also offer assistance.  The International Double Reed Society (www.idrs.org) is an international organization dedicated to all things oboe and bassoon.  The American Federation of Musicians (www.afm.org) is another professional musicians’ organization that can help you find a teacher in or near your area. 

Happy Reeding! 

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