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Department of English and Philosophy
Display Biographical Details
Dr. Marc Napolitano
Assistant Professor
Contact Information:
Office Location: Lincoln Hall, Room 227
Phone:
845.938.8184
Email:
Marc.Napolitano@usma.edu
Courses
Education
Publications
Scholarly Interests
Courses Taught
Core:
Composition, Literature
Elective:
Poetry, Drama
Additional Duties
Opera Forum OIC
Teaching Practicum Facilitator
Faulkner Library – Media Librarian
B.A., English, Villanova University
M.A., English, Villanova University
Ph.D., English, University of North Carolina at Chapel Hill
Articles
"Reshaping the Universe in an Amorphous Image." Science Fiction: Film and Television. (in press).
"Singing Christmas Carols - The Dickensian Musical vs. The Dickensian Mega-Musical." English: The Journal of the English Association 61:232 (2012): 66-88.
"'Elementary, my dear Robin!': Batman, Sherlock Holmes, and Detective Fiction Fandom" in Fan Phenomena: Batman. Bristol: Intellect Books, Ltd. (in press).
“A Melodious Anti-Melodrama: Underscoring, Song, and Parody in the Royal Shakespeare Company’s
Life and Adventures of Nicholas Nickleby
.”
Journal of Adaptation in Film and Performance
(in press)
“Making Music with the Pickwickians: Form and Function in Musical Adaptations of
The Pickwick Papers
.”
Dickens Studies Annual
42 (2011).
“’This garish parish called the musical hall’: Rupert Holmes’s Drood as Dickensian Adaptation.”
Neo-Victorian Studies
3:1 (2010)
“An Oppressed Orphan, Child Champion: The Child Hero in Oliver Twist and Harry Potter and the Sorcerer’s Stone.”
The Journal of Children’s Literature Studies
6:3 (2010)
“Disneyfying Dickens:
Oliver & Company
and
The Muppet Christmas Carolas
Dickensian Musicals.”
Studies in Popular Culture
32:1 (2009)
“Hear Jane Sing: Narrative Authority in Two Musical Versions of
Jane Eyre
.”
Studies in Musical Theatre
2:1 (2008): 33-50.
Conference Papers
"Learning the Trade: Dickens's Debt to Cruikshank." Midwest Modern Language Association, Cincinnati, OH, November 8-11, 2012.
"Guidance from the (M)other side: Deceased mothers as moral guides in Dickens and Rowling." Midwest Popular Culture Association/Midwest American Culture Association, Columbus, OH, October 12-14, 2012.
"Pickwickian Puppetry." Dickens in Lowell, Lowell, MA, March 30, 2012.
"From Gothic to Gritty." Northeast Modern Language Association,Rochester, NY, March 15-18, 2012.
"A Musical Curiosity." Victorian Literary Cinema Roundtable. Northeast Modern Language Association, Rochester, NY, March 15-18, 2012. "Dickensian Dialectics." Victorian Institute, Myrtle Beach, SC, October 21-23, 2011.
“’I am in the theatrical profession myself…’: Performance in the Dickensian Literature Classroom.” NeMLA. New Brunswick, NJ, April 7-10, 2011.
“Executive Disorder: Hawthorne, Pierce, and Concord.” Nathaniel Hawthorne Society. Concord, MA, June 10-13, 2010.
“Music, Melodrama, and Narrative: The Use of Underscoring in the Royal Shakespeare Company’s
Life and Adventures of Nicholas Nickleby
.” Nineteenth Century Studies Association, Tampa, FL, March 11-13, 2010.
“Scribblings, Sketches, and Stagings: The Progress of Dickens’s Art in the Victorian Popular Consciousness.” Ackland Art Museum, Chapel Hill, NC, December 2, 2009.
“’Consider yourself at home’: Dickens, Music-Hall Culture, and Adaptation.” Victorian Institute, Spartanburg, SC, October 16-17, 2009.
Victorian literature
Dickens, British novel
Adaptation theory
Drama and music